2/8/2024 0 Comments Aural training modulationsJust get better at conceiving tonicizations and brief modulations in terms of the "home" key of the piece, using the relevant chromatic solfege syllables.Ģ. Given all that, I suspect there are three potential answers to my quandary:ġ. On the other hand, it feels naive to "switch keys" in my head to whatever chord is being tonicized in the moment, and is moreover a difficult thing to predict when attempting to sight-read/sight-audiate a harmonically complex piece. I'd hear V/V in C major as re-fi-la, with "fi" being the solfege syllable for #4), but this becomes very difficult when relatively remote chords such as the major chord on the seventh degree are tonicized. In music school, I was a big fan of Schoenberg's "Structural Functions of Harmony," which puts forth a pretty expansive notion of how even remote key areas still relate to the governing tonic of the piece, and so it's tempting to try to understand such passages in terms of the "original" key, using chromatic solfege syllables (e.g. My question concerns how to audiate melodies and harmonies when the tonal center changes rapidly, either because of a rapidly modulating tonal center (like you see in early Schoenberg) or because of a brief tonicization of a secondary harmony. This works really well for me when the tonal center in question is pretty stable, even in the presence of chromaticism, and I've practiced it to the extent that I can compose homophonic four-voice harmonic progressions as well as various species of counterpoint exercises (in two voices) in my head when I'm on the train or before I go to sleep. I learned to do this by hearing in terms of moveable-do solfege syllables, so for example if I'm hearing a blues on the radio I'll hear the bass line moving from do, to fa, to do, to sol, then to fa, etc. So, I'm a musician who believes very much in the value of audiation: that is, not only hearing pitches in my head, but also hearing them in terms of both the current harmony and the current tonal center.
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